Mohammad reza shajarian biography of mahatma
The dawn of my silences, the spring of my winters, the sound of silence, the cheers of the desert, the light of the night, and the representation of the riddle of the universe, I am glad to be with you and I am happy to have lived in a time when I felt living with Hafez of my time. He was buried in Mashhad, Tus, beside the tomb of Ferdowsithe eminent epic poet of Iran, among the glorious presence of his fans.
As we mourn the profound loss, we commemorate his name in our thoughts and hearts forever. Your email address will not be published. Inhe went to a preparatory student in Mashhad for the first time to become familiar with a music teacher. After receiving a diploma from a high-school knowledge, he was hired to employ education and education, and at this time he began to familiarize with santour and learn this instrument with the mohammad reza shajarian biography of mahatma of the news.
InMaestro Shajarian married with Farkhondeh Golafshan that the outcome of the three daughters and a son is the one who is now known to be famous. He also went on to learn calligraphy in the association of Bouzari Calligraphers. Sincehe continued calligraphy with Hassan Mirkhani. He won degree in calligraphy in the year He was transferred to the Ministry of Natural Resources until the yearwhile teaching and management of schools.
During his service in education in Radkan, the Chenaran functions were taught and lived in the city for a while. Inhe met Faramarz Payvar and followed the learning of santour and vocal rows. In the yearhe became familiar with Nurkhan Boroumand, and taught the vocal style of Seyed Hossein Taherzadeh. Inwith Abdollah Davan, all music and ballad were learned.
At that time, Shajarian implemented the ballad of a drug that was related to the song of Mohammad Reza Lotfi on a poem by Nima Yooshij. The Ballad of a drug are among the earliest ballad of new poetry. With the lyrics of the Shajarian, who are in the language of the Persian poetry, the Ballad of Bijan Salamanders and the song of the said-e Khorram, which has been implemented in the same period.
The implementation of the right live in the yearin Shiraz Art festival, with Mohammad Reza Lotfi and Naser Farhangfar, which was later published in a music album with the same name, was very welcomed. At that time, the right five times were rarely implemented and the device was being forgotten. InMohammad Reza Shajarian won the first out in the Quran recitation competition in the country.
Shajarian, inas many artists did not continue its cooperation with government agencies like radio, due to the distribution of vulgar songs and encouraging the cabaret culture. Of course, other artists of the Randy and mystic groups and the head of Radio music department at the time, also Houshang Ebtehaj, also after the sequence token of September 17, were removed from the radio.
Most members of the Caduceus center were members of the same group. At that time, Mohammad Reza Shajarian, along with Shahram Nazeri, caduceus The singing in several common albums of the Kanun, more of their content was revolutionary and patriotic. From the shared albums of Shajarian and Nazeri, Caduceus 2, which includes two awesome night-rolling anthem: Teenage brother, with the voices of Shajarian, and freedom: The time he became a voice of the observer.
One of the known songs, Caduceus 6, which is known today by the name of the Sepideh, is related to the concert of the Sheyda Ensemble with the song of Shajarian and the administrator of Lotfi, and in Decemberthe National University implemented a run with revolutionary content. Of course, at that time the group was not thinking of recording, and recording this effect happened by Keyvan Ebtehaj, the son of Houshang Ebtehaj.
Master Shajarian, from then on, was at home to research and compilation vocal rows and to educate his old disciples Gmasht. The works of Caduceus 1 as a mystic6 Sepidehand 9 Jan -e Jan arranged Shajarian have been rectified and forwarded by renaming. He is the founder of Shahnaz Ensemble and a musical instrument producer. Shajarian is also active in the recitation of the Quran and the prayer of Rabbana is the most famous of his recitation.
Mohammad reza shajarian biography of mahatma
This work has been recorded by the cultural Heritage organization of handicrafts and Tourism as a national effect. Inhe was the prayer of Rabbana, with the recitation of some verses of the Koran who sang them with the voice and with the chanting of Masnavi, and without exercise, first to give students the intention to teach them and play the best in Ramadan for Iftar but the same radio run He played himself and this prayer for thirty years were from the most original radio programs in Ramadan.
In these years, along with Aref Ensemble, he carried out concerts outside of Iran. This short article about a person or group of people can be made longer. You can help Wikipedia by adding to it. Categories : births deaths Iranian singer-songwriters Iranian composers Iranian educators People from Mashhad. Hidden categories: Articles containing Persian-language text Commons link from Wikidata All articles with dead links to other websites Articles with dead links to other websites from August Articles with permanently dead links to other websites People stubs.
Toggle the table of contents. Shajarian started his singing career in at Radio Khorasan. He rose to prominence in the s with his distinct style of singing. He has been performing regularly in Iran and throughout the world. His performances have brought him universal acclaim and an eminent position among his compatriots. Besides his tremendous musical talent, Shajarian has had a life-long passion for Persian Calligraphy.
Sincehe has practiced this art under the instructions of two Iranian master calligraphers, Ebrahim Buzari, and Hossein Mirkhani. At present, he is considered an accomplished calligrapher with his own distinct style. Shajarian studied singing at the early age of five under the supervision of his father by recitation of the Quran. He started playing the santour under the instruction of Jalal Akhbari in order to better understand and perform the traditional repertoire.
Inhe was introduced to Faramarz Payvar and took santour lessons with him. He also studied under the guidance of master Abdollah Davami, from whom he learned many early Persian songs. Abdollah Davami also passed on to Shajarian his own interpretation of the Radif. Shajarian has not always been in music groups, he did the vocals for the Masters of Persian Music with his son Homayoun Shajarianas well as two other ostadsKayhan Kalhor and Hossein Alizadeh.