Karukurichi arunachalam biography of christopher

Natarajan — a Sangita Kalanidhi like Seshagopalan and Chandrasekharan — refers to the special viraladi or fingering technique of Karukurichi. According to him, Karukurichi never had to strain himself to bring about the special melodic effects he created. I observed, analysed and concluded how these children, though adversely positioned, tried with our help to create their own comfort zones.

They used my total absorption in dance to kindle my interest in human movement. Dance is movement and it is the most beautiful movement in the world. To dance is not the exclusive prerogative of human beings. Other living beings also dance — birds, animals and even insects. Even Nature dances. But the human being has one great faculty which places him above other beings including Nature and that is his capacity to think and then dance.

The other dances are impelled by necessity and genetics to be passed on by the law of nature. Man thinks and dances, uses his body not automatically or involuntarily, but intelligently. And since dance is human movement, the intellectual component assures a premier position in the scheme of human life. Astad Deboo is a maverick dancer. His 67 th birthday falls on 13 July Over the years he has dodged neat categories and continues to explore new frontiers with his individualistic style.

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Musical artist. Life [ edit ].

Karukurichi arunachalam biography of christopher

Karukurichi constantly dreamt of training under nagaswaram wizard Rajarathnam and accompanying him. His dream came true when he was able to accompany his idol on stage as a last-minute replacement for his indisposed partner Kakkayi Natarajasundaram Pillai at a local concert. Arunachalam did gurukulavasam with Rajarathnam, assimilating the best of his music.

Like his guru, Arunachalam too became known for the beauty of the ragas and compositions he essayed. Yet another feature of his music was the absence of the characteristic pippip sound that usually accompanies the checking of the seevali or reed of the nagaswaram. I have live recordings of his Kharaharapriya and Shanmukhapriya I obtained from writer Raji Narayanan.

At some stages in the raga progression you wonder if it is really a human voice or the nagaswaram. According to him, the maestro constantly sang while travelling, keeping the car engine hum as the basic sruti. I have heard that he paid his regular co-artists monthly salaries, a practice other musicians could rarely afford. While it is well known that Karukurichi had gurukulam training under the inimitable TNR, it is not so well known that he learnt vocal music initially from Kalakkad Subbiah Bhagavatar and his son Ramanarayana Bhagavatar.

Later, after he attained name and fame, he studied with Harmonium Tirunelveli Muthu Natesa Iyer and Vilathikulam Nallappa Swamigal who was a vocalist and excelled in raga singing. Nallappa Swamigal could elaborate ragas for days on end with infinite manodharma. Legend has it that he sang Kharaharapriya for three days at a stretch at the Mysore court and earned accolades and awards.

My mother-in-law and my wife vividly recall that the Swamigal used to sit with Karukurichi during his nagaswaram practice; he was a task master and perfectionist. President of India Dr. Radhakrishnan, Union finance minister and Carnatic music connoisseur T. Krishnamachari and Madras chief minister Kamaraj were among his rasikas. During a temple concert at Kovilpatti, a beggar from the crowd rushed to the stage.

While members of the audience tried to stop him, the vidwan counselled them not to do so. The beggar approached Karukurichi and presented him a four-anna coin. Karukurichi bowed his head reverentially, accepted the coin, touched it to his eyes and put it into his pocket. Another incident was narrated to me by tavil maestro Haridwaramangalam A.

When Palanivel enter the part of the palatial house where the womenfolk resided. Nehru sat through the entire three-hour concert; he even enjoyed the popular film song Singaravelane deva. It was a scintillating performance. Films and film friends. Iconic comedian and social activist N. Krishnan was a father figure to Karukurichi. He often organised chamber concerts of the vidwan at his home for invited audiences that would include leading lights of the film world and politics like C.

Annadurai and M. Karukurichi readily accepted the name.