Angel villoldo biography

He had invented a device by which he placed the harmonica attached to a rod above the guitar, which allowed him to play both instruments simultaneously. When he took down the harmonica he sang with a somewhat high-pitched voice, which gave him fame in still lifes at the beginning of the century XX. One of his most representative compositions, " El choclo', created inwhen the performance of tangos was still prohibited in elegant or central venues in Buenos Aires.

Thus, night after night, the work was performed with very good reception and enthusiasm from the public. She recorded in several companies, danced tangos and joined the Society of Authors and Composers of France, to collect the copyright of the best-known tango in Europe at the time, "El choclo". The spread of this tango was such, according to journalist Tito Livio Foppa, that induring the First World War, at a banquet for the foreign press held on the German front, the musicians of the band who performed the anthems of the countries represented did not have the sheet music corresponding to the Argentine anthem Another fundamental tango for which Villoldo wrote lyrics was "La morocha"; the lyrics were written for composer Enrique Saboridowho in embarked on a ship to Europe, and this is considered the first tango to become popular in Europe.

Other standout musical works by Villoldo were include "El torito", "Cuidado con los 50", "Una fija", "Yunta brava", "El cachorrito", "Pineral", "El pimpollo", "Trigo limpio", and "La bicicleta".

Angel villoldo biography

Another of his compositions, the milonga "Matufias O el arte de vivir ", contains a description of Argentinian history. Besides music, Villoldo did many other things to make a living, including being a typographer, circus clown, and any other job for which his help was wanted. Among other things, he was a "cuarteador" in the neighborhoods far from downtown Buenos Aires; he waited on horseback for the arrival of a big coach or streetcar at the bottom of slopes, and then helped them get out of the mud or get uphill.

This meant fastening the vehicle with a rope tied to his horse and helping in the effort. With a knack for writing, Villoldo devised stanzas for carnival groups and numerous poems and wrote prose for well-known magazines of the time such as Caras y caretas. His work is filled with witty sarcasm, and his dialogues were suitable for the common person's tongue and always referred to real situations experienced by ordinary people, including love affairs, depicting the manner of speaking and behavior of the lowest social level of society.

Contents move to sidebar hide. Article Talk. Nicknames: Fray Pimiento. Place of birth: Buenos Aires Argentina. Cantar eterno Tango. Cuidado con los 50 Tango. El cachorrito Tango. El choclo Tango. El esquinazo Tango. El pimpollo Tango. El torito Tango. Villoldo was responsible for the composition of Don Pedroa tango, during a concert celebrating works by Italian composer Domenico Zipoli.

He was also the composer of a number of songs with genres like Creole and Mazurkas. Villoldo introduced the tango to the Parisian society in and then, he went on to create the "Method for Playing Guitar" by numbers, in Rightfully hailed as the Father of Tango or padre del tango in Spanish, his creativity was only matched by his enormous body of work.